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Foster plays a Paris psychiatrist who tapes sessions on MiniDisc and turns sleuth after a patient dies. The glossy mood works, the mystery runs thin.
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Daniel MacPherson plays a retired fighter turned fisherman facing Bren Foster, with the finale shot at a real ONE Championship event in Bangkok.
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The Train to Busan director traps Jun Ji-hyun in an office tower with infected that learn from every attack. Great monster, thin survivors, $53.1M worldwide.
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Lan Hongchun follows a debt-ridden grandson to Thailand chasing a lost grandfather. Li Sitong stands out, even if the score gets syrupy.
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David Wain's Wizard of Oz riff sends a Kansas hairdresser to LA with the wrong briefcase. Deutch's all-in energy carries it, with Hamm playing himself.
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RJ Balaji directs and plays a crooked advocate in this courtroom fantasy. The early court fights crackle before shifting rules and rushed effects sink it.
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Early writes, directs and stars in a food-video satire that turns into sincere melodrama, with Kate Berlant and Conner O'Malley in support.
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Imtiaz Ali's Partition love story pairs Shah's 95-year-old with Dosanjh as his grandson. Moving, though the 167-minute runtime drags early.
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Three Kansas City kids chase a fake opening slot for Green Day in an ice cream truck. The leads click, even if the road comedy beats feel familiar.
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Han Han's third rally film made $656.5 million worldwide. Fans of the first two get their reunion, but newcomers face over two hours of rally politics.
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Jovovich plays an ex-soldier hunting her kidnapped daughter in a thriller critics gave 17% on Rotten Tomatoes. It earned just $2 million worldwide.
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The film bridges the anime's third and fourth seasons, so little can change. The water dragon fights look great, but newcomers will get lost fast.
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An expectant dad interviews AI builders and critics including Demis Hassabis and Timnit Gebru. It stays balanced and personal, though it skims more than it digs.
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An aging spy's slipping memory points to $25 million buried in a Tehran hotel wall. A fun caper hook gets stretched across 141 minutes.
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The horse girl anime film gets credit for races that genuinely thrill and a rivalry with real bite. Side characters feel thin and newcomers may get confused.
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Corin Hardy's teen horror has a creepy hook and a few real jolts, but everything around the cursed whistle feels stock. Nick Frost and Sophie Nélisse costar.
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The A Step into the Past sequel brings back Koo and Raymond Lam, but Michael Miu's time machine inventor makes for a flat villain in a plot full of fake kings.
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Wu Jing plays a worn-out Sui dynasty bounty hunter, with Jet Li as a governor. Too many subplots, but an oil field duel stands out. It grossed $215.4 million.
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Aliens turn an old golden retriever young and superpowered, then the plot piles on jewel thefts and trials. A huge telekinetic Maine Coon steals the film.
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A space fungus from Skylab wakes under a Kansas storage facility. The David Koepp script is familiar, but the night-guard duo and the gooey fun carry it.
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Georgekutty has turned his secret into a hit film, and now journalists are digging. Mohanlal plays him worn down by guilt, though the twists fall short of the first two.
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A Manchester sound guy chases a number missing one digit while a psych student secretly studies him. The formula is old, but the leads' chemistry makes it work.
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A WWII bomb scare and Theo James's bank tunnel on Edgware Road run in parallel for a tense first hour. David Mackenzie's back half piles on pulpy twists.
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Hoffman plays an assistant pulled into a famous LA artist's world, with Knoxville and Cho as detectives. The leads shine, but the art-world satire picks easy targets.
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Brandt Andersen splits one night across a doctor, soldier, smuggler, poet and captain, with Omar Sy in the cast. It sometimes pushes the emotion too hard.
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Rod Lurie's WWII story follows a wounded captain crossing the Ardennes with a radio named Lassie. Sincere and respectful, but the dialogue is clunky and tension uneven.
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Set in the 1990s, the family drama turns into an action film when her old life catches up. Prabhu, who also produced, reshapes a familiar template over 154 minutes.
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Liam and Noel give their first joint interview in over fifteen years, set against 2025 reunion tour footage. It sits at 97% on Rotten Tomatoes but dodges how the feud ended.
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Soderbergh's art-world comedy barely has a caper, but McKellen's fading painter and Coel's secret forger spar like a chess match through Ed Solomon's sharp script.
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Srikanth Odela's huge handmade slum set impresses, but nearly three hours of brawls bury the mother and son story. Raghav Juyal makes a strong villain.
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